Coral & turquoise Nappa leather, turquoise ostrich leg, dove ostrich feathers, Asian snake skin.
Coral and turquoise, the two colours the Caribbean actually is. Nappa leather in both, split by a spine of turquoise ostrich leg and banked either side with dove ostrich feather. The snake skin runs the centre like a seam of shell.
It is the warmest pairing in the range and the least formal — a room that gets sun, a deck that gets used. The feather moves with the air.
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Turquoise & cobalt metallic leather, genuine peacock feathers, turquoise ostrich leg, cobalt & turquoise Asian snake skins.
Two blues and nothing else — turquoise and cobalt in metallic leather, with real peacock feather running the full width and both snake skins dyed to match.
The most tonal collection in the range, and the most water-like. Every material in it is iridescent, so the colour shifts entirely depending on where you stand.
Gold & cobalt Nappa leather, gold ostrich leg, snow ostrich feathers, Asian snake skin
Gold and cobalt, the two colours of a Renaissance altarpiece. Gold ostrich leg runs the spine, snow ostrich feather banks either side, and the snake skin is worked in gilt.
It is the most formal collection in the range and the only one that would sit comfortably in a room with real antiques. Under lamplight the gold does something the photographs can't quite hold.
Pewter & ebony Nappa leather, sand ostrich leg, ecru & ebony ostrich feathers, Burmese python.
Pewter, ebony and sand — the only collection in the range built on neutrals, and the most versatile because of it.
Ecru and black ostrich feather run either side of a sand ostrich leg spine, with Burmese python through the centre. It reads as restraint until you get close enough to see what it's made of.
Chartreuse and ebony luxury leather hide, snow ostrich leg, ebony and white ostrich feathers, Burmese python.
Chartreuse and black, cut with snow ostrich leg and python. The most graphic combination in the range — acid green against true black, with the feather doing all the softening.
Made for hard surfaces. White fibreglass, black glass, teak. It photographs as well as it looks, which is why it keeps ending up on boats.
Metallic cobalt Nappa leather, chartreuse cowhide, genuine peacock feathers, cobalt ostrich leg, chartreuse Asian snake skin.
Metallic cobalt against chartreuse, with real peacock feather laid in between — the eyes catch light from across a room and change colour as you move past them.
Cobalt ostrich leg forms the spine, chartreuse snake skin the band. Nothing about it is quiet, which is the point. This is the collection for the room people are brought into rather than the one they sit in.
Magenta & amethyst Nappa leather, ebony ostrich leg and feathers, Asian snake skin.
Magenta and amethyst under black feather. The two leathers are close enough in depth to read as one colour from a distance and separate completely up close, which is the trick of the whole collection.
Ebony ostrich leg down the spine, black feather either side, snake skin catching green where the light hits. The most nocturnal thing in the range.