Medallions in rose, apricot and violet tumble across ivory, each one a separate piece of hand-drawn lace and no two the same. The ivory ground gives it air that Amber Mandala deliberately withholds, so the discs read as scattered rather than packed. Soft in colour, intricate in drawing, and the easiest print in Tangier to wear in full daylight.
Long Kaftan — Cut full and fluid to just above the ankle — a maxi-length dress, with deep kimono sleeves and an unstructured line that skims rather than clings. Over a swimsuit at noon; with a heel and a gold cuff after dark.
Top — The shortest of the three, hitting at the top of the thigh, just below the waist, with a wide boat neck and fluid kimono sleeves. Sharpest over something high-waisted — wide-leg trousers, a column skirt, good denim.
Printed on mulberry silk. One size, generously cut. Cool hand wash or dry clean.
Also photographed as the Rose Mandala Mini.
Medallions in rose, apricot and violet tumble across ivory, each one a separate piece of hand-drawn lace and no two the same. The ivory ground gives it air that Amber Mandala deliberately withholds, so the discs read as scattered rather than packed. Soft in colour, intricate in drawing, and the easiest print in Tangier to wear in full daylight.
Long Kaftan — Cut full and fluid to just above the ankle — a maxi-length dress, with deep kimono sleeves and an unstructured line that skims rather than clings. Over a swimsuit at noon; with a heel and a gold cuff after dark.
Top — The shortest of the three, hitting at the top of the thigh, just below the waist, with a wide boat neck and fluid kimono sleeves. Sharpest over something high-waisted — wide-leg trousers, a column skirt, good denim.
Printed on mulberry silk. One size, generously cut. Cool hand wash or dry clean.
Also photographed as the Rose Mandala Mini.
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